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Articles [»»] Thomas Basboll: Decision and Desire: A ‘Rain-sparkling Crystogram’ in Nabokov’s «The Defence» [»»] Rachel Blau DuPlessis: The Hole: Death, Sexual Difference, and Gender Contradictions in Creeley’s Poetry [»»] Kent Johnson: Notes on Notes on Translation: ‘Translation must seek to bring over the strangeness, obvious or latent, of the original, and always guard against the temptation to familiarize it. It is this, after all, that is the gain of translation — the new surplus, semantic or grammatical, that languages can invest in the general economies of others.’ [»»] Rachel Blau DuPlessis and William Watkin: “Draft 33: Deixis”/Notes on “Deixis”: a Midrashic Chain: an exchange of thoughts [»»] Paul Hoover: Black Painting Divided by a White Painting: Newlipo: Bringing Proceduralism and Chance-Poetics into the 21st Century. [»»] William Watkin: “Though we keep company with cats and dogs”: Onomatopoeia, Glossolalia and Happiness in the work of Lyn Hejinian and Giorgio Agamben Feature Poems [»»] Robert Adamson: Poem: At Rock River [»»] Janet Charman: Three poems: singer machine / debate / the forgetting option [»»] Maxine Chernoff: Three poems: Oracular / And words for / What it contains [»»] Tom Clark: Two poems: O Friend! / Fireside Chat [»»] Norman Fischer: Felstentor [»»] Barry Gifford: Three poems and a play: Monk’s Funeral / The Generalissimo Waves / Hey, Ludwig, Grab Yourself a Pigfoot / The Farm Team (A story in the form of a play) [»»] Noah Eli Gordon: Diminishing Returns [»»] Nicolás Mansito III: Four poems from «On Third and Seventh» [»»] John Muckle: Two poems: I Should Be So Lucky / On Ebury Bridge Road |
Interviews
[»»] Clayton Eshleman in conversation with Paul Hoover and Maxine Chernoff: «Sulfur» and «New American Writing»: A Dialogue
Barry Gifford
Feature
Reviews [»»] Stuart Dybek: «Streets in Their Own Ink», reviewed by Virginia Konchan [»»] Patrick Jones and Peter O’Mara: «How To Do Words With Things», reviewed by Astrid Lorange [»»] Daniil Kharms: «Today I Wrote Nothing: The Selected Writings of Daniil Kharms» Edited and translated by Matvei Yankelevich; reviewed by Larissa Shmailo [»»] Strange meetings: Kent Johnson: «I Once Met», reviewed by Cralan. [»»] «Intersection, Sidewalks and Public Space». ed. Marci Nelligan & Nicole Mauro, reviewed by josé felipe alvergue [»»] Greg McLaren: «The Kurri-Kurri Book of the Dead» reviewed by Nick Riemer [»»] Three books, reviewed by Micaela Morrissette: «The Glimmer Palace» by Beatrice Colin; «Tranquility», by Attila Bartis, translated by Imre Goldstein; and «Train to Trieste» by Domnica Radulescu [»»] Bern Mulvey: «The Fat Sheep Everybody Wants», reviewed by Virginia Konchan [»»] Gavin Selerie: «Roxy» and «Le Fanu’s Ghost», reviewed by Robert Hampson [»»] «The Collected Poems of Philip Whalen», reviewed by Laurie Duggan [»»] ‘Each evening he would write/ what had happened to him’ : Formality and occasionality in the poems of Mark Young : «Pelican Dreaming: Poems 1959–2008» Poems by Mark Young, reviewed by Nicholas Manning. | ||
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